Because this song reminds me of two different characters I decided to present both. You can choose which one appeals to you more, turning the music into a “choose your own adventure” of sorts. As always, I love hearing about what other characters the music reminds you of in the comments section so please feel free to share!
WARNING: The following contains spoilers for Jane Eyre (Option 1)
and Anna Karenina (Option 2)
(I’m talking pre-affair Anna.)
They’re both the belles of the ball…so who would be Continue reading
Unfortunately, infidelity is not a new thing.
From the point of view of Darya (Dolly) Alexandrovna Oblonsky
“It’s not right, but it’s okay
I’m gonna make it anyway.
Pack your bags up and leave.
Don’t you dare come running back to me.”
I bet Vronsky and Wickham would have been friends.
They’re both ladies’ men.
They’ve both gone after high-society women (Anna and Georgianna—hey, their names are even similar).
They’re both soldiers.
They both end up in not the happiest of situations (married to Lydia and trying to get himself killed in the Servian war, respectively).
I can just picture them both sitting in a bar, good-naturedly arguing over whose woman is better while simultaneously complaining about said woman and swapping war stories. Two peas in a pod.
What other literary characters do you think would get along well?
“Tower (Don’t Look Down)” by Skylar Grey reminds me of Anna Karenina towards the end of the book when she turns crazy and paranoid, thinking Vronsky doesn’t love her. (Both she and the song are preeeeeetty passive aggressive.)
On top of that, the guy in the song is supposedly leaving the girl for the sake of his career. Vronsky is faced with the same dilemma–Anna vs. advancement in the military. And Anna in her befuddled state doesn’t seem all that convinced that he’s choosing her…
“Just leave me here to die
As I watch you climb
Up to the top of your ambitions.”
What do you think? Is it a match?
At last we come to the final movement. But first, let’s indulge in a quick recap:
- Anna arrives by train to help mend Dolly’s and her brother’s marriage after the brother was unfaithful.
- Anna falls desperately in love with Vronsky.
- While among highbrow, sophisticated society, they try to contain their emotions.
- But then Anna is dying and Vronsky doesn’t matter anymore—she only wants her husband. Unfortunately for that husband, those feelings don’t last long.
So now we come to the fifth and final movement. What is Grieg going to leave us with? Continue reading
Holberg Suite, Op. 40: IV. Air (Andante religoso) by Edvard Grieg
Hold onto your hats, kids, because the hint of tragedy that was in the second movement is in full force now. We hear a pervasive hopelessness and what sounds like a struggle against something unchangeable (…hence the hopelessness). Plus, when the music comes back to repeat, it’s even sadder and more disillusioned, just like Anna after she gives birth to Vronsky’s child and thinks she’s dying.
(2:55) But then things become much more tender and hopeful (definitely a welcome surprise after all of this depressing music). It’s like when her husband, Alexei Alexandrovitch comes to visit her. Now that she’s sick he’s the only one Anna wants—the only one who can break her out of her own misery and self-pity (a.k.a. all the music up to this point).
(3:27) All of which leads quite Continue reading